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	<title>timbuktu &#187; lhasa de sela</title>
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	<description>blog by thomas elsted</description>
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		<title>In memoriam Lhasa de Sela</title>
		<link>http://timbuktu.dk/archives/1583</link>
		<comments>http://timbuktu.dk/archives/1583#comments</comments>
		<pubDate>Tue, 12 Jan 2010 14:18:38 +0000</pubDate>
		<dc:creator>Thomas Elsted</dc:creator>
				<category><![CDATA[Ikke kategoriseret]]></category>
		<category><![CDATA[lhasa de sela]]></category>
		<category><![CDATA[Memory]]></category>
		<category><![CDATA[Music]]></category>

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		<description><![CDATA[I recently rewatched Avi Lewis &#38; Naomi Klein&#8217;s The Take, their documentary from 2004 on Argentina&#8217;s reclaimed factory movement that rose out of the ashes of 2001&#8242;s economic melt-down (imposed by speculative neoliberalist policies, not surprisingly). I was particularly moved by the scene towards the end of the film which shows Buenos Aires street protests [...]]]></description>
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<p>I recently rewatched Avi Lewis &amp; Naomi Klein&#8217;s <em>The Take</em>, their documentary from 2004 on Argentina&#8217;s reclaimed factory movement that rose out of the ashes of 2001&#8242;s economic melt-down (imposed by speculative neoliberalist policies, not surprisingly). I was particularly moved by the scene towards the end of the film which shows Buenos Aires street protests against a government shutdown of the worker cooperative Brukman —a textile factory run by its seamstresses— at a similarly desperate time for the film&#8217;s protagonists, industrial workers struggling to claim legal the legal rights over their autoparts factory, Forja. Lhasa de Sela&#8217;s version of the song <em>Yo vengo a ofrecer mi corazón</em>, popularized by la negra Mercedes Sosa, is definitely among the emotionally strongest I&#8217;ve heard. The next day I was saddened to learn that Lhasa died only days ago, on New Year&#8217;s Day – following a long struggle against breast cancer. Here&#8217;s to her—Bless her soul!</p>
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